Arts Jazz Music Style

The companion volume to the ten-part PBS TV series by the team responsible for "The Civil War and "Baseball. Continuing in the tradition of their critically acclaimed works, Geoffrey C. Ward and Ken Burns vividly bring to life the story of the quintessential American music--jazz. Born in the black community of turn-of-the-century New Orleans but played from the beginning by musicians of every color, jazz celebrates all Americans at their best. Here are the stories of the extraordinary men and women who made the music: Louis Armstrong, the fatherless waif whose unrivaled genius helped turn jazz into a soloist's art and influenced every singer, every instrumentalist who came after him; Duke Ellington, the pampered son of middle-class parents who turned a whole orchestra into his personal instrument, wrote nearly two thousand pieces for it, and captured more of American life than any other composer. Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Billie Holiday, whose distinctive style routinely transformed mediocre music into great art; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh ways to sound made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether. Buddy Bolden, Jelly Roll Morton, Dizzy Gillespie, Art Tatum, Count Basie, Dave Brubeck, Artie Shaw, and Ella Fitzgerald are all here; so are Sidney Bechet, ColemanHawkins, Lester Young, John Coltrane, Ornette Coleman, and a host of others. But Jazz is more than mere biography. The history of the music echoes the history of twentieth-century America. Jazz provided the background for the giddy era that F. Scott Fitzgerald called the Jazz Age.

Avant-garde jazz - Avant-garde jazz (also known as avant-jazz) is a style of music and improvisation that combines elements of avant-garde art music and composition with elements of traditional jazz. Avant-jazz overlaps with free jazz, but differs in that free jazz is generally performed with fewer, or no predetermined structure or composition.

Jazz-funk - Jazz-funk was the British name for a musical genre used to denote a style of mostly American disco-ish jazz music, popular on the club-circuit of England in the mid 1970s. The American name for this genre was soul jazz, although jazz-funk and soul jazz do not entirely overlap.

Nu jazz - Nu-jazz (sometimes electro-jazz or phusion) was coined in the late 1990s to refer to styles which combine jazz textures and sometimes jazz instrumentation with electronic music. Like the term electronica, nu jazz is a loosely defined umbrella musical style.

artsjazzmusicstyle

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Arts Jazz Music Style - Arts Jazz Music Style Jazz The Basics Jazz: The Basics gives a brief introduction to a century of jazz, ideal for students arts jazz music style and interested listeners who want to learn more about this important musical style. The book is organized chronologically, focusing on the major eras in jazz's growth arts jazz music style and development. It opens with a chapter defining the musical style, with an overview of the major genres within it. Next, the author gives ...

Arts Music Style Folk - Arts Music Style Folk Parlour music - Parlour music, actually having little to do with parlours, is Peter van der Merwe's term for the unified style common to popular and semi-popular light-classical and popular, and folk-like music of nineteenth century Europe, "distinct from 'folk' music and uncontaminated by highbrow pretensions." This is the middle and low brow music which European classical music began to gradually and eventually self-consciously distance itself from beginning around 1790. Americana (music) - Americana ( ...

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